s'�-����ir4I�����d�&1� ��LC�,� Johann Sebastian Bach’s Magnificat, BWV, BWV, is a musical setting of the biblical canticle Magnificat. ", "The Bach Choir of Bethlehem, founded in the 19th century, has gained international recognition through its annual Bach Festival, tours and recordings. As He spoke to our forefathers, Abraham, and his seed forever. Gloria Patri, Gloria Filio, Gloria et Spiritui Sancto! In reality, it is a complicated four-part texture, with solo alto voice, two solo flutes, and of course the continuo part. 9th February 2018 Each Magnificat is different in length, tone and emphasis, although with enough common echoes to underline the family tree and the sense of musical history progressing. The conductor, orchestra, soloists, and chorus are eminently capable of the nuances of the rich harmonic texts …spirited and vivacious…It is not likely to get any better than this on this side of the Atlantic.”, “America’s venerable Bach Choir of Bethlehem sang Bach and Mendelssohn with good-natured and ruddy-cheeked elation. It is Mary’s response to her cousin Elizabeth, after Elizabeth greets Mary as the mother of God. Bach's Vocal Work. Et misericordia a progenie in progenies timentibus eum. <> ", "Two days later I am Newark bound again, with a head full of the history of a town I previously had no awareness of, and with a heart full of the music of Bach, presented in a context that felt less like a festival than a glorious friendship between a great composer and the orchestra, conductor and choir at the heart of an extraordinary town. ... (Johann_Christian_Bach)&oldid=1239069" Categories: Christopher Boveroux editions; Editions with large score files; Johann Christian Bach compositions; SATB; 4-part choral music; Sacred music; Liturgical music; Works in Latin; Orchestra accompaniment; Ultimately, the solo voice drops out seven measures from the end, and the flutes continue until the penultimate measure, but finish somewhat unresolved; the representation of that which the rich receive here. He hath put down the mighty from their seats, and hath exalted the humble. To that we have added works by two contemporaries who Bach admired: Antonio Vivaldi and Jan Dismas Zelenka. Simply fill out the form and you’ll get regular updates about The Bach Choir of Bethlehem delivered straight to your inbox! Bach: Magnificat In D Major, BWV 243 – 3. 4 0 obj <>/Metadata 138 0 R/ViewerPreferences 139 0 R>> endobj Funfgeld brings a sure sense of phrasing, texture and pacing to the narrative, and the Bach Festival Orchestra—mostly modern instruments, with viola da gamba, violas d’amore and portative organ supplying period flavors—are cohesive and nimble. During Bach’s time, Vespers were a common occurrence on Sunday afternoons in Leipzig. The three trumpets sound out primarily in arpeggiated triads, which add a sense of majesty. The effortless virtuosity and stylistic homogeneity of the combined forces in the chapel's stone sanctity, allowed Bach's music to sing out with infectious, exhilarating enthusiasm. Although there is not enough time or space here to discuss the entire piece, I would like to focus your attention on a few favorite spots. Instead, Bach uses these two words alone as the basis for the entire fourth movement, giving them more attention than they would have received buried in the midst of the third movement. The pleasant parallel third which dominate the two flute parts are symbolic of the Holy Trinity (as, I suppose, are the three solo parts together). The active parts which fill in the sound between the beats in the continuo (especially where the continuo only play s on the beats) are like the hungry being filled with good things. Genre: Classical. This Magnificat, in fact, appears to have been written for Christmas 1723 in Leipzig. The Magnificat is the most popular and best-known of all the Gospel canticles, which are Biblical songs from somewhere other than the book of Psalms. Vom Himmel Hoch (Bach Magnificat) Bass by City Choir Dunedin published on 2020-10-05T22:07:57Z. Greg Funfgeld has trained his singers to articulate words crisply, dance lightly when the music must move and blend elegantly. The work is scored for two SATB choirs, two trumpets, bassoon, strings and basso continuo. Genre Classical Contains tracks. Because it was originally performed on Christmas Eve 1723 with Cantata BWV 63, a large scale Christmas cantata, Bach felt the necessity for keeping things short. ", "The oft-quoted phrase 'a drumroll, please' aptly applies to the opening of Rutter’s exultant Gloria, which provided a dramatic finale to the program. All rights reserved. Johann Sebastian Bach’s festive setting of the Magnificat canticle. There was a miraculous blend of tone and balance throughout. %���� Bach strongly emphasizes the word Magnificat, to the degree that it is only excluded from two vocal bars. Emmanuel Music is a Boston-based ensemble of singers and instrumentalists founded in 1970 by Craig Smith to perform the complete sacred cantatas of J.S. at Choral Sheet Music. He has made known the power of his arm, scattered those who are arrogant in the thoughts of their heart. Omnes generationes. “Magnificat In D Major, BWV 243: I. Magnificat Anima Mea” from Bach – Magnificat BWV 243, Cantate “Gloria In Excelsis Deo” BWV 191; Vivaldi – Gloria RV 589 by Johann Sebastian Bach. Each verse of the canticle is assigned to one movement, except verse 48 (the third verse of the Magnificat) which begins with a soprano solo in the third movement and is concluded by the chorus in the fourth movement. Released: 2009. This may explain why Bach made a second version some years later (in D major, BWV 243). It also blends seamlessly with the excellent modern-instrument Festival orchestra which Greg Funfgeld conducts with an obvious knowledge of, and sensitivity to, modern performance practice.”, “…the Choir and Festival Orchestra, under their director, Greg Funfgeld, perform these three cantatas beautifully and convincingly. "The Little Drummer Boy" is a popular Christmas song, with words and music by Katherine K. Davis. Soprano Rosa Lamoreaux was also excellent, expertly modulating her silvery tone for the various roles she took…This was the choir’s big night, though, and it gave great pleasure…”, “A handsome account of Bach’s St. John Passion on this new release confirms that the Bach Choir of Bethlehem doesn’t rest on anything resembling laurels. The text describes a metaphorical wedding between Christ and the souls of the faithful, whom the night watchman of Jerusalem calls to wake. stream His own choice, in the E flat major version, remains unsurpassed. 30, is Johann Sebastian Bach's arrange Glory be to the Father, and to the Son, and to the Holy Spirit! For a Christmas CD in the year 2010 it is obviously attractive to add new movements to Bach’s Magnificat, entirely in keeping with the tradition of the seventeenth and eighteenth centuries. Its music opens with an instrumental introduction. Amen. These practice tracks are for the "A" movement in Bach's Magnificat. Title: Magnificat a 4 in C Major Composer: Johann Christian Bach. The elemental power is startling…the Bethlehem approach under Greg Funfgeld isn’t anachronistic, but meets the historically enlightened approach halfway…We know from Bach’s often irritable correspondence that he campaigned for more singers. For the feast of Visitation of 1733, Bach produced a new version of his Latin Magnificat, without the Christmas hymns: instrumentation of some movements was altered or expanded, and the key changed from E-flat major to D major, for performance reasons of the trumpet parts. For He has regarded the lowliness of His handmaiden: for behold, from henceforth [all generations] shall call me blessed. Other changes generally effected the instrumentation of the piece. The Magnificat in E-flat major, BWV 243a, also BWV 243.1, by Johann Sebastian Bach is a musical setting of the Latin text of the Magnificat, Mary's canticle from the Gospel of Luke. The work was subsequently revised as the Magnificat in D major, BWV 243 … It uses the largest orchestra available to Bach at the time, including trumpets, drums, flutes, oboes, bassoons, strings, and organ. ", "The performance was one of integrity, movement, passion and weight. It contrasts vividly in this programme with Corelli’s joyous Christmas concerto – with its final movement Pastorale depicting the shepherds at Bethlehem – and Bach’s great setting of the Magnificat, heard here in its original version that includes additional Christmas movements; exuberant and … The traditional division of the Magnificat, as used by composers since the late Middle Ages, was in 12 verses: it differs from Bach's 12 movements in that Luke's verse 48 is on… Among the revision was the transposition to the brighter key of D major. Greg Funfgeld…has revitalized this Pennsylvania institution, and Dorian is doing well to document its vibrancy in a recording series… genuine honesty and intelligence informs this performance…Funfgeld has forged a fine body of singers and players…tightly disciplined ensemble …rousing spirit and sacred joy aplenty. And their centerpiece was a BBC/Bach Choir co-commission, the world premiere of Libby Larsen’s I It Am, a jubilant cantata based on the writings of Julian of Norwich…this highly coloured and disarmingly unsophisticated work came from, and went straight to, the heart.”, “The Bach Choir of Bethlehem…had their audience enthralled…The choir knows and loves this work – and it shows…transatlantic magic.”, “Nearly one hundred strong, the Bach Choir of Bethlehem tempers its power and energy with the intimacy of a much smaller group. ", "The audience was thrilled by this outstanding performance of a Bach Cantata by seasoned experts immersed in the composer and informed by Greg Funfgeld's wisdom and enthusiasm...The Bachs [J.S.B and C.P.E] could not have been better served, not to mention two English Renaissances, as well as our own time. This original version was first performed on the Feast of Visitation, 1723 at the Thomaskirche in Leipzig under the composer's direction (and repeated on Christmas Day, 1723, with 4 insertions). For all of its grandeur and, sometimes, expansiveness, the work is remarkably brief, even terse. Performances of Johann Sebastian Bach's Magnificat come in three formats: D major version, BWV 243 with the twelve movements of that version; D major version, with the Christmas interpolations from the earlier version BWV 243a transposed and inserted after movements 2, 5, 7 and 9. The second movement of Bachs Magnificat is traditionally s. E flat major version, BWV 243a. This is another work I find curious among Bach’s compositions, probably because I think the Magnificat is so Catholic in origin – it is the Catholic Church, not the Lutheran, which so worships and celebrates the Virgin Mary. Deposuit potentes de sede et exaltavit humiles. He hath showed strength with His arm; He hath scattered the proud in the imagination of their hearts. The work of the soloists is excellent, too…Excitement, dedication, power—all things that we hear more and more seldom in Bach cantatas—lend distinction to this beautiful and well-produced recording.”, “Sheer jubilance…exceptional elegance and grace…radiant performance…Having heard the Bethlehem Bach Choir pour its heart into the master’s vocal music, one will never listen to it in quite the same way again.”, “The Bethlehem Bach Festival is one of the most venerable musical institutions in the USA, with an unmatched tradition of introducing Bach’s music to our shores. Most of the composition's movements are either choral movements, in which all singers and instruments participate, or duets for two singers and a more limited instrumental accompaniment. Maybe this is “in-his-dreams” Bach.”, “…a performance that confirmed my belief that this is one of the finest large amateur choruses in the United States.”. It went beyond mere intelligent programming and committed performance, enriched by a deep sense of the mutual nourishment of music and faith. endobj Henry Onorati and Harry Simeone have been credited with writing the song, even though they were only the arrangers for their recordings of it. The Choir is supported in part by the National Endowment for the Arts and the Pennsylvania Council on the Arts. Subscribe to our newsletter to get performance announcements, Choir news, and updates about recordings or Bach Choir touring. <> This is a good example of a movement in which Bach uses obbligato instruments continuously throughout the texture, rather than having them alternate with the solo voice (as Handel might have done). Bach sets the Magnificat in twelve movements. So day after day the teaching went on. Bach. He hath filled the hungry with good things; and the rich He hath sent empty away. The first was in E-flat (an unusual key for festive music with trumpets and timpani) and contained, in addition to Luke's text, four movements specific to Christmas, based on texts extraneous to the Magnificat. This movement has been described by scholars as an “ecstatic clamor of jubilation.” Bach’s rendition divides the Magnificat text throughout the twelve movements. Me ; and the sublime voices of the biblical canticle Magnificat the work is remarkably,. 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